If you follow me and my editing / literary coaching business Heart of the Story on Facebook, Twitter, or Instagram, you may have noticed an experiment I’ve been running on Mondays. It’s called Question of the Week, a conversation starter where I post a question about writing and any writers who are interested can respond.
So far, some of the questions have focused on your current writing project. Others have been about reading (since reading is an instrumental part of being a writer, right?) or the highlights and challenges of the writing process. So the topic varies from week to week; and since it’s not a chat with a set timetable, it’s something you can drop in on at your convenience.
So far in our recap of the theme of family at DIY MFA, we’ve covered why this theme matters to readers and shared recommendations for books about family. Today, we conclude our recap with a “how-to” post – specifically, how to explore the theme of family in your writing. This post is filled to the brim with writing prompts and brainstorming activities to help you with different angles of approaching this theme, from demonstrating family relationships through dialogue and interaction to using major life events to heighten conflict. So, grab some paper and a pen – or open a new document on your computer – and let’s begin!
This is the Big Secret Project I’ve been working on since September: my own freelance editing and writing coaching business! I know I’ve been teasing about it for a while, but I’ve been reluctant to say much publicly before things were truly ready. And now, it’s Launch Day for…
So what kinds of services does Heart of the Story offer? Who is the business designed to help? And, what does the business mean for this website? This post will go over all of that. So, without further ado…
The end of December and beginning of January is a thoughtful time of year for me. I think back on the previous year, the highlights and achievements, the setbacks and lessons learned. Then I turn to the year that’s beginning to unfold. I ask myself, “What can I accomplish by the end of the year? What do I want to do? How can I continue to embrace the projects and ideals that matter most to me?”
This year, I’m taking that goal-setting to a new level by trying a New Year’s ritual that my friend Leanne Sowul practices. Every January, she chooses a word to guide her decisions, intentions, and actions for the next 12 months. In that way, it becomes a sort of theme for her year. And knowing what I’ll be up to in the near future, I’ve chosen my own word to be my touchstone for 2019.
Before I share that word, let’s put 2018 into perspective.
Chronicling The Craft is a series where I share my experience with working on my YA fantasy novel THE KEEPER’S CURSE. These articles alternate between a) progress updates and fun “TKC-related” content, and b) revising / editing tips. Today we finish our celebration of the end of Draft #3 with a tips-oriented post.
Working on a novel is a learning experience in and of itself. You’ll make right and wrong decisions, figure things out, and find ways of improving the story. You’ll also absorb tips away from the WIP via blog articles, workshops, and literary conferences. That “self-teaching” can double – or even triple – your knowledge about writing between Day 1 of Draft #1 and The End of Draft #3. And after wrapping up my WIP’s third draft, I’ve been reflecting on what I’ve learned about the craft of writing and about myself as a writer.
So, the last Chronicle for Draft #3 isn’t exactly a tips-oriented post. Instead, it’s a retrospect of discoveries I’ve made since I started working on The Keeper’s Curse (or TKC). Perhaps these lessons might help you on your own writing journey (or maybe you’ve already embraced them). Then, at the end, I’d love to know what you have learned about yourself or your process from any of your writing projects. 🙂
NOTE: Due to the timing of this announcement, this week’s regular post will go live on Thursday, October 13th.
Remember my recent hints of a new “project”? Today I can finally share it: I’m joining Writers Helping Writers as a Resident Writing Coach! (Read more after the jump.)
Chronicling The Craft is a series where I share my experience with working on my YA fantasy novel THE KEEPER’S CURSE, which is now in its third draft. These articles alternate between a) progress updates and fun “TKC-related” content, and b) revising / editing tips. Today’s post is the tips-oriented post to celebrate 60% completion of Draft #3.
No writer (or anyone pursuing their dreams) is immune to the monsters of doubt. At any time during our process, we might lose faith in our story, our characters, even our own abilities. And when we do, the effects can cripple us, sometimes to the point of giving up.
It’s a tough subject to broach. I’ve hit the wall a few times myself, but I’ve rarely written about it. But I should write about it. In fact, all writers should. Not only does it make us feel less alone in our struggles, but it allows us to find or share ways of managing any doubts or anxieties we have about our craft.
For today’s Chronicle, I’ll share one of my recent struggles with doubt while editing my WIP. I’ll also reveal my personal method for dealing with those fears, and how some of my writing friends manage theirs. Perhaps some of these tips might work for you. Or, maybe you already have your own ways of bouncing back. The point is to encourage and motivate one another to keep doing this crazy thing we love called writing. I hope this post will accomplish that for you.
Chronicling The Craft is a series where I share my experience with working on my YA fantasy novel THE KEEPER’S CURSE, which is now in its third draft. These articles alternate between a) progress updates and fun “TKC-related” content, and b) revising / editing tips. Today’s post is the tips-oriented post to celebrate 40% completion of Draft #3.
One of the biggest challenges with Draft #3 hasn’t been craft- or story-related. Rather, it’s process-related. Certain life changes made my previous writing schedule unsustainable, so I needed to rethink how to approach the editing process and devote adequate time and effort to my story. And when you’re used to having a particular schedule, altering it for creativity’s sake can be an overwhelming and eye-opening experience.
So, today’s Chronicle focuses on the “writer’s life” side of things. I’ll offer tips on adjusting your writing routine in response to life changes. I’ll also explain why writers should practice acceptance and patience when altering their routines, and why it’s essential for us to take care of ourselves as we do so. Our sanity and well-being are just as important as our craft, right?
Today I’m over at Little Novelist, talking about blogging, novel-writing, and general inspiration for my projects. I also share one of my favorite pieces of writing advice, and confess as to why I don’t have a truly specific “blogging niche.” (*blushes*)
Click here to read my interview at Little Novelist. Make sure you check out Rhianne’s other content there, too. She has a lovely variety of posts on reading, writing, and “the writer’s life”; and also offers a story idea generation workbook and an online shop with various e-book resources.
Feel free to comment on the interview, by the way! I’ll be checking the post periodically to respond to anything there.
Chronicling The Craft is a series where I share my experience with working on my YA fantasy novel THE KEEPER’S CURSE, which is now in its third draft. These articles alternate between a) progress updates and fun “TKC-related” content, and b) revising / editing tips. Today’s post is the tips-oriented post to celebrate 20% completion of Draft #3.
Going into the WIP’s third draft, I was aware that one of its lingering weaknesses was overdescription. I tend to overwrite in general, but it’s most noticeable when I’m describing character appearances, setting, and action. So, one of the major questions has been, “How do I use fewer words to convey the same meaning or paint the same picture?”
Today’s Chronicle will focus on answering that question. I’ll share strategies that can help you identify overly descriptive areas in your manuscript, as well as tips for shortening descriptions as you edit. I’ll also explain it’s more important to make your own decisions as to how much description is enough, rather than following specific word- or sentence-length recommendations.