Happy Friday, friends! In case you missed the news on social media earlier this week, I just announced another new service for writers: the First 50 Pages Critique!
This offering is a shorter, budget-friendly alternative to a full manuscript critique. It doesn’t cover a complete story or project, but it can still give writers a good idea of how to strengthen one of the most crucial sections of their manuscript while alerting them to potential issues in later chapters. So if you’re considering having your work critiqued but aren’t sure you can afford it at full price, this may be a good option.
(Read more after the jump.)
I have exciting news of a different kind to share with you today: I’m now offering outline critiques at Heart of the Story!
This service is perfect for writers who have an in-depth outline (20 to 40 pages) for a writing project but haven’t started the first draft yet. It’s a great way of ensuring that the structure of your story is solid, each scene has a purpose, and the main characters show a potential for growth or change.
(Read more after the jump.)
If you follow me and my editing / literary coaching business Heart of the Story on Facebook, Twitter, or Instagram, you may have noticed an experiment I’ve been running on Mondays. It’s called Question of the Week, a conversation starter where I post a question about writing and any writers who are interested can respond.
So far, some of the questions have focused on your current writing project. Others have been about reading (since reading is an instrumental part of being a writer, right?) or the highlights and challenges of the writing process. So the topic varies from week to week; and since it’s not a chat with a set timetable, it’s something you can drop in on at your convenience.
So far in our recap of the theme of family at DIY MFA, we’ve covered why this theme matters to readers and shared recommendations for books about family. Today, we conclude our recap with a “how-to” post – specifically, how to explore the theme of family in your writing. This post is filled to the brim with writing prompts and brainstorming activities to help you with different angles of approaching this theme, from demonstrating family relationships through dialogue and interaction to using major life events to heighten conflict. So, grab some paper and a pen – or open a new document on your computer – and let’s begin!
This is the Big Secret Project I’ve been working on since September: my own freelance editing and writing coaching business! I know I’ve been teasing about it for a while, but I’ve been reluctant to say much publicly before things were truly ready. And now, it’s Launch Day for…
So what kinds of services does Heart of the Story offer? Who is the business designed to help? And, what does the business mean for this website? This post will go over all of that. So, without further ado…
The end of December and beginning of January is a thoughtful time of year for me. I think back on the previous year, the highlights and achievements, the setbacks and lessons learned. Then I turn to the year that’s beginning to unfold. I ask myself, “What can I accomplish by the end of the year? What do I want to do? How can I continue to embrace the projects and ideals that matter most to me?”
This year, I’m taking that goal-setting to a new level by trying a New Year’s ritual that my friend Leanne Sowul practices. Every January, she chooses a word to guide her decisions, intentions, and actions for the next 12 months. In that way, it becomes a sort of theme for her year. And knowing what I’ll be up to in the near future, I’ve chosen my own word to be my touchstone for 2019.
Before I share that word, let’s put 2018 into perspective.
Chronicling The Craft is a series where I share my experience with working on my YA fantasy novel THE KEEPER’S CURSE. These articles alternate between a) progress updates and fun “TKC-related” content, and b) revising / editing tips. Today we finish our celebration of the end of Draft #3 with a tips-oriented post.
Working on a novel is a learning experience in and of itself. You’ll make right and wrong decisions, figure things out, and find ways of improving the story. You’ll also absorb tips away from the WIP via blog articles, workshops, and literary conferences. That “self-teaching” can double – or even triple – your knowledge about writing between Day 1 of Draft #1 and The End of Draft #3. And after wrapping up my WIP’s third draft, I’ve been reflecting on what I’ve learned about the craft of writing and about myself as a writer.
So, the last Chronicle for Draft #3 isn’t exactly a tips-oriented post. Instead, it’s a retrospect of discoveries I’ve made since I started working on The Keeper’s Curse (or TKC). Perhaps these lessons might help you on your own writing journey (or maybe you’ve already embraced them). Then, at the end, I’d love to know what you have learned about yourself or your process from any of your writing projects. 🙂
NOTE: Due to the timing of this announcement, this week’s regular post will go live on Thursday, October 13th.
Remember my recent hints of a new “project”? Today I can finally share it: I’m joining Writers Helping Writers as a Resident Writing Coach! (Read more after the jump.)
Chronicling The Craft is a series where I share my experience with working on my YA fantasy novel THE KEEPER’S CURSE, which is now in its third draft. These articles alternate between a) progress updates and fun “TKC-related” content, and b) revising / editing tips. Today’s post is the tips-oriented post to celebrate 60% completion of Draft #3.
No writer (or anyone pursuing their dreams) is immune to the monsters of doubt. At any time during our process, we might lose faith in our story, our characters, even our own abilities. And when we do, the effects can cripple us, sometimes to the point of giving up.
It’s a tough subject to broach. I’ve hit the wall a few times myself, but I’ve rarely written about it. But I should write about it. In fact, all writers should. Not only does it make us feel less alone in our struggles, but it allows us to find or share ways of managing any doubts or anxieties we have about our craft.
For today’s Chronicle, I’ll share one of my recent struggles with doubt while editing my WIP. I’ll also reveal my personal method for dealing with those fears, and how some of my writing friends manage theirs. Perhaps some of these tips might work for you. Or, maybe you already have your own ways of bouncing back. The point is to encourage and motivate one another to keep doing this crazy thing we love called writing. I hope this post will accomplish that for you.
Chronicling The Craft is a series where I share my experience with working on my YA fantasy novel THE KEEPER’S CURSE, which is now in its third draft. These articles alternate between a) progress updates and fun “TKC-related” content, and b) revising / editing tips. Today’s post is the tips-oriented post to celebrate 40% completion of Draft #3.
One of the biggest challenges with Draft #3 hasn’t been craft- or story-related. Rather, it’s process-related. Certain life changes made my previous writing schedule unsustainable, so I needed to rethink how to approach the editing process and devote adequate time and effort to my story. And when you’re used to having a particular schedule, altering it for creativity’s sake can be an overwhelming and eye-opening experience.
So, today’s Chronicle focuses on the “writer’s life” side of things. I’ll offer tips on adjusting your writing routine in response to life changes. I’ll also explain why writers should practice acceptance and patience when altering their routines, and why it’s essential for us to take care of ourselves as we do so. Our sanity and well-being are just as important as our craft, right?