readers

What Do You Think?: E-Newsletters by Writers (Plus, A Quick Survey for You)

/ saraletourneau / 20 Comments

One of the most talked-about outreach tools for writers today is the email newsletter (or, e-newsletter). In fact, “start a newsletter” has been among the most suggested advice I’ve heard at Writer’s Digest Conference for the past two years – from authors, publicists, and publishing professionals alike. It seems valuable, especially since other writers have found success with them. Yet despite all the positive buzz, I’ve hesitated to create one.

Why? Well, up until now, it hasn’t been a priority. I’ve had enough going on that starting an e-newsletter would have taken time away from blogging and (more importantly) novel-writing. But now, with a slower blogging schedule and edits on the WIP’s third draft coming to a close, I have time to give it serious thought.

So, what are the benefits of an e-newsletter? What cautions should we keep in mind? Plus, I’m offering readers – yes, YOU – a chance to help me decide whether I should start my own e-newsletter and what content I may want to include. More details on that shortly.

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Chronicling The Craft: A Conversation About Beta-Reading, From Nailing Your Critiques to Finding Good Candidates

/ saraletourneau / 21 Comments

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Chronicling The Craft is a series where I share my experience with working on my YA fantasy novel THE KEEPER’S CURSE, which is now in its third draft. These articles alternate between a) progress updates and fun “TKC-related” content, and b) revising / editing tips. Today it’s the tips-oriented post to celebrate 80% completion of Draft #3.

I had trouble thinking of a subject to cover this time. The past three tips-driven Chronicles (word-cutting strategies, planning changes to one’s writing routine, and wrestling writer’s doubt) were inspired by challenges I experienced at different points during Draft #3. Lately, though, no one single “issue” with editing has stood out to me. Yet I’ve started giving serious thought to the next stage: beta-reading.

Yes, that terrifying yet exciting phase of sharing your writing for feedback is the topic of today’s Chronicle. I’ll share lessons and advice based on my past experience with beta-reading for other writers. I’ll also touch on how to decide who might be a good beta-reading candidate, and give you a peek inside my plans for my WIP’s beta-reading stage. So, let’s dive in!
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More Changes Are Coming to the Blog (Plus, Why I’m Excited About the “New” Direction)

/ saraletourneau / 40 Comments

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Some of you might recall that I’ve been struggling with blogging after a crazy-busy August. Not with ideas or visitors, but with time and energy. This week, I’m feeling the best I’ve felt physically and mentally in the past two months, but I only have one post scheduled instead of two. So, in a way, the results of that “burnout” are starting to show.

I’ve also been thinking about the time I spend on this site. I already cut back on my blogging schedule earlier this year because I couldn’t keep up the aggressive pace I’d set. Back then, I figured, “Blogging twice a week should be fine.” And for a while, along with writing every other month for DIY MFA, it was.

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Why Creativity is Essential For All Genres (A Guest Post by Leanne Sowul)

/ saraletourneau / 15 Comments

 

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Today I’m thrilled to have one of my DIY MFA colleagues here for a guest post! Leanne Sowul is a historical fiction writer, music teacher, and the insightful mind behind DIY MFA’s “Be Well, Write Well,” which offers tips and wisdom for writers on maintaining a healthy well-being. She’s also an advocate for cultivating creativity in our lives and recently launched her new project, The Creativity Perspective, to explore this further. I invited Leanne to write about the importance of creativity in writing, and this is what she had to say.

When I first decided to write a novel, I wasn’t sure what genre I wanted to specialize in. I read widely, so I had interest in writing many different things, but I was intimidated by working in the sci-fi, fantasy, or mystery genres because I thought they required a higher level of creativity. Building a world from scratch, or crafting a suspenseful crime, felt beyond me. I wanted to choose a genre that had some rules I could follow; a creativity “support,” if you will.

I have a longtime love for history, so I decided to write historical fiction. I figured I could use historical facts to hang my story on, and felt comforted by the element of nonfiction in my fiction to keep me on track with my story. I thought it was the perfect solution. Oh, how little I knew back then! I didn’t understand I was making the enormous decision of my novel’s genre based partly on fear and partly on an incorrect assumption.

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