Mini-Review Monday: Kowai – “Dissonance”

Kowai Dissonance

Kowai – Dissonance

Rating: 4.25 / 5

Are you a long-time fan of female-fronted metal? Do you who miss the music of the mid-to-late 90s and early 2000s, when Within Temptation, Nightwish, and Epica were first experimenting with the combination of symphonic metal with gothic undertones? Most newer bands have steered clear from this sound since then, probably to avoid drawing obvious comparisons. Kowai, however, embraces their genre’s history with open arms. The Dutch newcomers’ debut album, Dissonance, oozes with the wintry soundscapes and whimsical themes of their influences while leaving their own stamp on gothic symphonic metal.

Dissonance contains everything you’d expect to hear from a gothic symphonic metal band with a female singer: lush keyboards / synths, rhythmic guitars, haunting melodies, and semi-operatic vocals contrasted by occasional grunts. What sets Kowai apart is the varied, melancholy-toned guitarwork that hearkens Anathema’s Alternative 4 and Judgment days, and Laura van Nes’s range as a singer. She has a warmer, lower voice (maybe borderline alto / mezzo-soprano?) that taps into both power and a rare emotional depth, and reminds me more of Marjan Welman (Autumn) and Anneke van Giersbergen (ex-The Gathering) than Sharon den Adel (Within Temptation) or Simone Simons (Epica). Whether they intended so, Kowai wrote their music around Laura’s voice, selecting the right pitches and keys so she can use her voice naturally rather than strain for consistently high notes. Listen to “In Retrospect,” “The Promise,” or “Undisgraced,” and you’ll hear what I mean.

I really enjoy listening to Dissonance, so much that I often play the album again after reaching the end. And no, it doesn’t get boring! This album’s balanced, smoothly flowing mix of bombastic epics (“Yield,” “Ice Cold Sun”), uptempo forebodings (“Undisgraced,” “Man’s Downfall”), and musing ballads (“In Retrospect,” “Pride”) will satisfy just about any listener. My only critiques would be that a) Laura’s high notes sometimes sound weak, and b) the musical approach lacks originality. Then again, it’s damn near impossible for gothic symphonic metal bands to be original these days. Kowai do what they do extremely well, and that speaks volume for a band with only one album under their belt. If you like Within Temptation, Epica, Delain, Xandria, or Stream of Passion, I invite you to lose yourself in Kowai’s Dissonance. You won’t be disappointed!

Highlights: “In Retrospect,” “Yield,” “Undisgraced”

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Deciding whether to buy Dissonance from Amazon? Let me know whether you found my review helpful by clicking here and selecting either “Yes” or “No.”

Coming Soon: The next installment of Mini-Review Monday will feature Ideal Zero’s first full-length album In Perfect Darkness. Since I received the album only a couple days ago and need some more time to listen to it, I’m aiming to have the review online in 2 weeks (March 24th).

Mini-Review Monday: Within Temptation – “Hydra”

Within_Temptation-Hydra Within Temptation – Hydra

Rating: 3 / 5

Boy did I have to wrack my brain to figure out how I felt about this album. And anyone who knows my taste in music well enough knows that Within Temptation has been one of my favorite bands for nearly a decade. So, naturally, I was excited for the Dutch symphonic metal band’s sixth studio album, Hydra. This is WT’s most sprawling set to date, with songs that draw from every possible corner of their sound. Thunderously heavy, dreamy and pop-tinged, bombastic and cinematic, airy and melancholy – you truly get it all here. Hydra also features four guest vocalists with equally unique sounds: metalcore titan Howard Jones (ex-Killswitch Engage), soprano star Tarja Turunen (ex-Nightwish, now solo), Soul Asylum frontman David Pirner, and – bet you didn’t see this coming – rapper Xhibit.

The overall opinions on Hydra have been as varied as the sounds WT explores on Hydra: Some people love it, others don’t, and still others are torn by it. I’m in that third category – which has turned this from a normal CD-reviewing experience into hair-yanking agony.

Truthfully, I enjoy a number of songs from Hydra. “Dangerous” absolutely rocks, with palpable tension, stormy rhythms, and one of the most unexpectedly awesome vocal collaborations I’ve ever heard.  Other dramatic uptempo numbers (“Tell Me Why,” “Silver Moonlight”) whisk you away to metal fantasyland, while the strongest ballads (particularly “Edge Of The World”) envelop you with evocative melodies and arrangements. Some tracks also hearken back to older WT records; “Covered By Roses,” for example, would have fit The Heart Of Everything as well as Hydra. Then then are songs that either I’ve remained indifferent toward after several listens or that fall short of WT’s usual high standards of lyrics (“Dog Days,” particularly the chorus) and overall impact (“Let Us Burn” lacks that special “kick-off” spark). Finally, four is an annoying high number of guest collaborations on a rock or metal albums. It’s nice to see and hear WT in that kind of spirit, but it’s overkill. They’re who I really want to listen to when I play a WT album.

My best advice when it comes to Hydra is to listen with an open mind. You might love everything you hear, or you might not. Or you might seesaw back and forth, like I did. And you’ll find this rift in opinions in the reviews you’ll read on Hydra on Amazon as well as webzine and print reviews. Personally, I like Hydra, but it’s inconsistent. I skip over a few tracks because they don’t appeal to me, and one or two others get little more than a shrug as my reaction. This doesn’t mean I’m jumping off the WT bandwagon. It just means this album leaves me dissatisfied, and it’s hard to hide it when one of your all-time favorite artists leaves you feeling that way.

Highlights: “Dangerous,” “Silver Moonlight,” “Edge Of The World”

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Deciding whether to buy Hydra from Amazon? Let me know whether you found my review helpful by clicking here and selecting either “Yes” or “No.”

Coming Soon: Next week’s Mini-Review Monday will feature another Dutch band: gothic symphonic metallers Kowai, and their debut album Dissonance.