Remember how I said that I’m changing my posting schedule next week? That’s because I have two posts for you this week, including my first DIY MFA article of 2018. 😉
Today it’s a case study on legacy and immortality, themes that aren’t examined frequently in literature but can be insightful and profound when that examination is done well. So what makes Station Eleven by Emily St. John Mandel a brilliant example? By using a museum, historic plays, and two characters who represent different ways of building a legacy that can impact the next generation.
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I like to deviate every now and then from the normal “femme metal” fare at Sonic Cathedral and cover something different that our readers might like. Forward Shapes is a good example. This project out of Orange County, California performs piano-driven progressive rock that will appeal to fans of piano rock (Tori Amos, The Fray, Coldplay), progressive rock (Rush, Anathema), or female-fronted rock with soaring melodies (Within Temptation, Evanescence).
While I found the music to be too intricate at times and the ballads unable to grab my interest, I couldn’t help but admire the musicianship and ambition of Forward Shapes’ debut album Legacy. The musical style, vocals, and lyrical subjects all contribute to the album’s spirit of hope and optimism. That’s why I called Legacy “smart,” “upbeat,” and a “decent summer record.”
Click here to read my full review of Forward Shapes’ Legacy.
Poetry news is coming later this week! Stay tuned!