A Writing Study on Assassins, Flashbacks, and Emotions (A Guest Post & Giveaway by Fantasy Author Maria V. Snyder)

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Oh, am I excited about our returning guest! Fantasy author Maria V. Snyder stopped by here 2 years ago for an interview on SHADOW STUDY, her fourth Study novel and the return of Yelena and Valek, her two most beloved characters. Today, the series ends with DAWN STUDY, and Maria was gracious enough to take time out of her schedule to write a guest post. So, let’s celebrate DAWN STUDY’s book birthday with a “study” of master spy-assassin Valek, his growth since SHADOW STUDY, and the challenges of writing from his perspective. 

When my first book, Poison Study, was published over (*cough*) eleven (*cough*) years ago, I had no idea I’d go on to write five more Study books and the spin-off Glass Series. Nine total books and four short stories! I’d also didn’t know that Valek would become my readers’ favorite character (according to an unscientific Facebook poll).

While planning Poison Study, I knew Valek would be Ixia’s Chief of Security and the Commander’s assassin. He’d be distant, cold, and good at killing people with all types of weapons – basically, a stereotypical bad ass.  After that, I didn’t really consider him to be more than an antagonist to my main protagonist, Yelena.  In fact, I thought if there would be a romance in the book, it would most likely be between Yelena and the Commander. Yeah, well, I’m not the best at planning books, and I tend to discover the true story as I write.

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A Screenwriter Gets Schooled in Novel Writing (A Guest Post by Heather Jackson of WriteOnSisters)

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Today is the second half of a guest-post swap I’m doing with WriteOnSisters. My article on high fantasy vs epic fantasy is already live at WOS. Now, it’s one of the “Sister’s” turns to post here! Heather Jackson lives in Canada and writes YA novels as well as television and video game screenplays. In fact, she began with screenplays before tackling novel-writing. Here’s what Heather learned during that transition.

I started my writing career as a television screenwriter, but my first love has always been books. So, after screenwriting for what seemed like an eternity to my young self (though I’d only been making a living at it for five years), I decided it was time to write a novel. Being a “seasoned professional,” I estimated I could develop a book idea and write a first draft in one year. After all, I already knew how to craft great stories. Novels simply used more words to tell those stories, right?

Oh, the naiveté of inexperience. I soon learned that more differentiates novels and screenplays than the number of words.

But let’s start with the similarities. I wasn’t totally wrong; many screenwriting skills do transfer to the process of writing novels.

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