It’s happening again: Angela and Becca of Writers Helping Writers have invited me back as the guest editor for their Critiques 4 U contest! (*happy dance time*)
In case you’re not familiar with it, Critiques 4 U is Writers Helping Writers’ monthly contest in which three writers are selected to have their story’s first page critiqued by Becca or a guest editor. It’s a fantastic way to get free feedback on one of the most important pages in your manuscript from a resource you trust, and I’m THRILLED to be back again for the November edition.
OMG, I’m so excited, everyone! Helping out Angela and Becca at Writers Helping Writers for their Critiques 4 U contest back in March went really well. So guess what? They asked me to come back for this month’s contest! 🙂
If you’re working on a story or manuscript, or if you didn’t get a chance to enter the March contest, continue reading to learn how you can enter this month.
Yes, I’m posting on Tuesday instead of Wednesday this week! Why? Because something AWESOME is happening at Writers Helping Writers today, and I don’t want you to miss out on it.
Today, Writers Helping Writers (run by Angela Ackerman and Becca Puglisi, authors of The Emotion Thesaurus and other best-selling resources for writers) is running its monthly Critiques 4 U contest. The rules are simple: Comment on this morning’s blog post within 24 hours of it going live, and you’ll be entered for the chance to be one of three (3) writers to receive feedback on the first page of your manuscript.
Usually Becca critiques the three winners’ first pages. However, she and Angela have invited a special guest editor for this month’s contest: yours truly! 😀 So if you’re working on a story or manuscript right now, keep reading after the jump for more details.
I’m back at Writers Helping Writers this week to talk about one of favorite productivity tips: writing first drafts out of sequence. (*gasps*) If it sounds like it might be an overwhelming or potentially confusing way to write, I don’t blame you for thinking so. But when approached in a methodical way, “skipping around” can help you take advantage of moments of intense inspiration so you’re constantly in the flow. You can even use it as a work-around for writer’s block. 😮
I’m back with a new article at Writers Helping Writers! This time, I talk about the informational interview, a research method that writers can use in addition to books, articles, and documentaries – or when those resources don’t provide the information you’re seeking. Understandably, pursuing this kind of interview can be intimidating, especially if you’ve never conducted one before. So this post offers tips on all three “phases” of the process – before, during, and after the interview – that I hope will give other writers the confidence and clear vision to go after their own.
Today I’m over at Writers Helping Writers to share a recent writing-related experiment: I created a map for an important location in my manuscript’s setting. It turned out to be a fun exercise that exercised a different part of my creativity – and best of all, it was immensely useful for the story I’m working on. So what are some the benefits of mapping your story’s setting? How do you go about creating your own setting map? Find out at the link below. Plus, there might be a photo of the map I drew. 😮 Continue reading
Today at Writers Helping Writers, I’m focusing on the resolution, or the scenes following a story’s climax. But I’m not offering tips on how to write a resolution. Rather, I’m sharing insights on recognizing whether your story needs one at all. Because as useful as resolutions can be for resolving subplots, answering questions, and providing other closure before the final page, they might not always be necessary.
So what questions should we ask ourselves to determine whether a resolution might strengthen a story? And, which timeless is a fantastic example of a resolution-less novel? All of that is covered in my latest Resident Writing Coach post.
For my latest post at Writers Helping Writers, I wrote about one of the most important tools in a writer’s toolbox. It’s just as important as more obvious “tools,” like vocabulary, industry knowledge, and strong work ethic – but it’s also incredibly challenging to master. If you haven’t guessed it yet, this “tool” is confidence. And today, I share my most recent struggle with confidence in my craft as well as tips on how to create your unique way of rebounding after setbacks or being overwhelmed by doubt. It’s more personal than my past WHW articles, but I hope that readers will still find it encouraging and informative. Continue reading
Oh, am I EXCITED about my new Writers Helping Writers post. 😀
This week, as part of the site’s Resident Writing Coach Program, I share some insights about using real-world locations in our stories, either faithfully for historical or contemporary genres or as inspiration for fictional worlds. And since one of the reasons why I attended the Iceland Writers Retreat was to do hands-on research for my story’s setting, guess which country I used as an example? 😉 Continue reading
I’m back at Writers Helping Writers this week with a new Resident Writing Coach post. This time, I talk about text-to-speech software, one of the newest tools in my editing “toolbox”. This standard function in most word processing programs and computer operating systems can read aloud pre-selected portions of text, including (ta-DA!) your manuscript. 😉 (Read more after the jump.) Continue reading